Tuesday, March 13, 2007

Hell Is My Beloved




William Blake (1757-1827) - The Circle of the Lustful: Paolo and Francesca, c. 1824-27


'[Suffering] alone reveals the total significance of the beloved object. Possession of the beloved object does not imply death, but the idea of death is linked with the urge to possess. If the lover cannot possess the beloved he will sometimes think of killing her; often he would rather kill her than lose her. Or else he may wish to die himself. Behind these frenzied notions is the glimpse of a continuity possible through the beloved. Only the beloved, so it seems to the lover - because of affinities evading definition which match the union of bodies with that of souls - only the beloved can in this world bring about what our human limitations deny, a total blending of two beings, a continuity between two discontinuous creatures. Hence love spells suffering for us in so far as it is a quest for the impossible, and at a lower level, a quest for union at the mercy of circumstance. Yet it promises a way out of suffering. We suffer from our isolation in our individual separateness. Love reiterates: "If only you possessed the beloved one, your soul sick with loneliness would be one with the soul of the beloved." Partially at least this promise is a fraud. But in love the idea of such a union takes shape with frantic intensity, though differently perhaps for each of the lovers. And in any case, beyond the image it projects, that precarious fusion, allowing as it does for the survival of the individual, may in fact come to pass. That is beside the point; this fusion, precarious yet profound, is kept in the forefront of consciousness by suffering as often as not, by the threat of separation.'

From Erotism: Death and Sensuality by Georges Bataille