Friday, May 11, 2007

The Art Of Seeing With Someone Else's Eyes




Robert Doisneau (1912-1994) - Sidelong Glance, 1948


"Irony gives us, at little expense, the impression that we are experienced psychologists."

Gaston Bachelard

Thursday, May 10, 2007

Intoxicated By Images




Edgar Degas (1834-1917) - Absinthe, 1876


'Art isn't what you see, but what you make others see.'

Edgar Degas

Wednesday, May 09, 2007

Day Dream Believer




Gillian Wearing (b. 1963) - Dream Mask, 2004


'The necessity of dreaming should already be beyond question by the very fact that we dream.'

André Breton

Tuesday, May 08, 2007

The Clown Of Colour




Joan Miró (1983-1983) - The Harlequin's Carnival, 1924-5


'I try to apply colours like words that shape poems, like notes that shape music.'

Joan Miró

Monday, May 07, 2007

To Awaken, Perchance To Dream




Henri Julien Félix Rousseau (1844-1910) - The Dream, 1910


'The eye which dreams does not see, or at least it sees with another vision.'

Gaston Bachelard

Sunday, May 06, 2007

The Girl With Looking-Glass Eyes




Édouard Manet (1832-1883) - A Bar at the Folies-Bergère, 1882


'Detail contradicts sentiment.'

Robert Hughes

Saturday, May 05, 2007

Brought To You By The Number 5 (May Special)




Charles Demuth (1883-1935) - I Saw the Figure 5 in Gold, 1928


Among the rain
and lights
I saw the figure 5
in gold
on a red
fire truck
moving
tense
unheeded
to gong clangs
siren howls
and wheels rumbling
through the dark city.
William Carlos Williams

Friday, May 04, 2007

Savouring The Arrows Of Outrageous Misfortune




Frida Kahlo (1907-1954) - The Little Deer, 1946


'Autobiography begins with a sense of being alone. It is an orphan form.'

John Berger

Thursday, May 03, 2007

Criminal Injustice




Francisco de Goya
(1746-1828) - The Third of May, 1808


'War does not determine who is right - only who is left.'

Bertrand Russell

Wednesday, May 02, 2007

Icarus On A Leash




Louis Michel Eilshemius (1864-1941) - Afternoon Wind, 1899


'Happiness is not an ideal of reason, but of imagination.'

Immanuel Kant

Tuesday, May 01, 2007

Time In A Bottle




Giorgio Morandi (1890-1964) - Bottles, 1916


'Humility is attentive patience.'

Simone Weil

Monday, April 30, 2007

See Paris And Sigh




Brassaï (1899-1984) - Foggy Paris, 1934


'A dreamer is one who can only find his way by moonlight, and his punishment is that he sees the dawn before the rest of the world.'

Oscar Wilde

Sunday, April 29, 2007

The Ripples Of Being Have No Alpha Or Omega




Jasper Johns (b. 1930) - Target, 1958


'Nature is an infinite sphere whose centre is everywhere and whose circumference is nowhere.'

Blaise Pascal

Saturday, April 28, 2007

The Lazarus Machine




Anselm Kiefer (b. 1945) - Falling Stars, 1995


'I'm interested in reconstituting symbols. It's about connecting with an older knowledge and trying to discover continuities in why we search for heaven.'

Anselm Kiefer

Friday, April 27, 2007

He Sang The Body Electric




Jaques-Louis David (1748-1825) - Patroclus, 1780


'Man is an intelligence in servitude to his organs.'

Aldous Huxley

Thursday, April 26, 2007

Life After Gravity




Edgar Degas (1834-1917) - Mlle La La at the Circus Fernando, 1879


'The greatest danger for most of us lies not in setting our aim too high and falling short, but in setting our aim too low, and achieving our mark.'

Michelangelo

Wednesday, April 25, 2007

The Mother Of All Virgins




Damien Hirst (b. 1965) - Virgin Mother (10.7 metres), 2006


'What I really like is minimum effort for maximum effect.'

Damien Hirst

Tuesday, April 24, 2007

Déjà Lu




Gregory Crewdson (b. 1962) - Untitled (from the series 'Twilight'), 2001


'Literature is the question minus the answer.'

Roland Barthes

Monday, April 23, 2007

The Doyens Of Damnation




Hieronymous Bosch (c. 1450-1516) - The Temptation of St. Anthony (central panel), 1500


'Saintliness is also a temptation.'

Jean Anouilh

Sunday, April 22, 2007

Sex Is Not The Enemy




Tom Wesselmann (1931-2004) - Great American Nude, #92, 1967


'I don't know the question, but sex is definitely the answer.'

Woody Allen

Saturday, April 21, 2007

The Heart Is A Lonely Punter




Caspar David Friedrich (1770-1840) - Man and Woman Contemplate the Moon, c. 1824


'We're born alone, we live alone, we die alone. Only through our love and friendship can we create the illusion for the moment that we're not alone.'

Orson Welles

Friday, April 20, 2007

Twinkle, Twinkle




Tony Oursler (b. 1957) - Star, 2005


'I wish that I was where I am.'

Gertrude Stein

Thursday, April 19, 2007

Darkness Visible




Vincent van Gogh (1853-1890) - Olive Trees in the Sun, 1889


'I became insane. With long intervals of horrible sanity.'

Edgar Allan Poe

Wednesday, April 18, 2007

The Genius Of Infirmity




Max Klinger (1857-1920) - Plague, 1898


'I enjoy convalescence. It is the part that makes the illness worthwhile.'

George Bernard Shaw

Tuesday, April 17, 2007

Lux Aeterna




Robert Longo (b. 1953) - Untitled (Hot Sun), 2006


'When you possess light within, you see it externally.'

Anaïs Nin

Monday, April 16, 2007

The Contours Of Cognition




Henri Toulouse-Lautrec (1864-1901) - The Singer Yvette Guilbert, 1894


'Drawing is putting a line around an idea.'

Henri Matisse

Sunday, April 15, 2007

Love's Antidote Is You




Cindy Sherman (b. 1954) - Untitled #305, 1994


'Whoever loves becomes humble. Those who love have, so to speak, pawned a part of their narcissism.'

Sigmund Freud

Saturday, April 14, 2007

At The Crossroads Of Art And Philosophy




Caspar David Friedrich (1774-1840) - A Walk at Dusk, c. 1830-35


'We have art in order not to die of truth.'

Friedrich Nietzsche

'The philosopher creates, he doesn't reflect.'

Gilles Deleuze

'Happiness belongs to those who are sufficient unto themselves. For all external sources of happiness and pleasure are, by their very nature, highly uncertain, precarious, ephemeral and subject to chance. '

Arthur Schopenhauer

Friday, April 13, 2007

Madness Became Him




Salvador Dalí (1904-1989)


'Originality is nothing but judicious imitation.'

Voltaire

'It is better to fail in originality than to succeed in imitation.'

Herman Melville

'Those who do not want to imitate anything, produce nothing.'

Salvador Dalí

Thursday, April 12, 2007

The Bitterness Of Sweet Memories




Édouard Manet (1832-1883) - The Lemon, 1880


'There is no greater sorrow than to recall in misery the time when we were happy.'

Dante Alighieri

Wednesday, April 11, 2007

Everybody Knows The Square Of Zero




Jenny Holzer (b. 1950) - The Survival Series: The Conversation Always Turns To Living Long Enough To Have Fun, 1983-5


'I am a Bear of Very Little Brain, and long words bother me.'

Winnie the Pooh

Tuesday, April 10, 2007

The Gift Of Banishment






Michelangelo di Lodovico Buonarotti Simoni (1475-1564) - The Fall and The Expulsion from the Garden of Eden, 1509-10


'The only paradise is paradise lost.'

Marcel Proust

Monday, April 09, 2007

Industrial Light Sans Magic




Dan Flavin (1933-1996) - greens crossing greens (to Piet Mondrian who lacked green), 1966


'I like my use of light to be openly situational in the sense that there is no invitation to meditate, to contemplate.'

'My icons do not raise up the blessed saviour in elaborate cathedrals. They are constructed concentrations celebrating barren rooms. They bring a limited light.'

'One might not think of light as matter of fact, but I do. And it is, as I said, as plain and open and direct an art as you will ever find.'

Dan Flavin

Sunday, April 08, 2007

A Freudian Photo Finish




Man Ray (1890-1976) - La Marquise Casati, 1922


'The camera introduces us to unconscious optics as does psychoanalysis to unconscious impulses.'

Walter Benjamin

Saturday, April 07, 2007

I See Red




Henri Matisse (1869-1954) - The Red Studio, 1911


'Mere colour, unspoiled by meaning, and unallied with definite form, can speak to the soul in a thousand different ways.'

Oscar Wilde

Friday, April 06, 2007

The Icy Maze




Piet Mondrian (1872-1944) - Composition with Red, Yellow and Blue, 1921


'Once the last trace of emotion has been eradicated, nothing remains of thought but absolute tautology.'

Theodor Adorno

Thursday, April 05, 2007

The Enigma Of Everyday Objects




Jean Baptiste Simeon Chardin (1699-1779) - Pipes and Drinking Pitcher, 1737


'The aspects of things that are most important for us are hidden because of their simplicity and familiarity.'

Ludwig Wittgenstein

Wednesday, April 04, 2007

Four Fanciful Seasons (April Special)










Giuseppe Arcimboldo - Summer, Autumn, Winter and Spring, 1573

The seasons alter: hoary-headed frosts
Fall in the fresh lap of the crimson rose,
And on old Hiems' thin and icy crown
An odorous chaplet of sweet summer buds
Is, as in mockery, set. The spring, the summer,
The childing autumn, angry winter, change
Their wonted liveries, and the mazed world,
By their increase, now knows not which is which.

Shakespeare - A Midsummer Night's Dream

Tuesday, April 03, 2007

I Come To Bury History, Not To Paint It




André Bauchant (1873-1958) - Cleopatra's Barge, 1939


'History is the science of what never happens twice.'

Paul Valéry

Monday, April 02, 2007

Two Deaths And Only One Life




Piero do Cosimo (1462-1521) - The Death of Procris, c. 1500


'If I was strange, and strange were my figures,
Such strangeness is a source both of grace and art;
And whoever adds strangeness here and there to his style,
Gives life, force and spirit to his paintings.'

(Piero di Cosimo's epitaph.)

Sunday, April 01, 2007

I Shot Frida Kahlo




Yasumasa Morimura (b. 1951) - An Inner Dialogue with Frida Kahlo (Collar of Thorns), 2001


"Transcendental guarantees of truth are dead; in the agonal struggle of language games there is no commensurability; there are no criteria of truth transcending local discourses, but only the endless struggle of local narratives vying with one another for legitimation."

From Situating the Self by Selya Benhabib

Saturday, March 31, 2007

The Brotherhood Of Men And Cabbages




Giuseppe Arcimboldo (1527-93) - Vertumnus, c. 1590-1


'[Arcimboldo] imposes a system of substitution (an apple comes to stand for a cheek, as in a coded message...), and, in the same way, a system of transposition (the whole figure is somehow drawn back toward the detail). However, and this is Arcimboldo's peculiarity, what is remarkable about the composite heads is that the picture hesitates between coding and decoding: even when we have displaced the screen of substitution and of transposition in order to perceive the head composed as an effect, our eyes retain the tracery of the first meanings which have served to produce this effect.'

From 'Arcimboldo or Magician and Rhétoriqueur' (in The Responsibility of Forms) by Roland Barthes

Friday, March 30, 2007

A Blondie Joke




Ricky Swallow - iMan Prototypes, 2005


'I don't mind if my skull ends up on a shelf as long as it's got my name on it.'

Debbie Harry

Thursday, March 29, 2007

The Oblivion Seeker




Mark Rothko - Chapel, 1971


'If my doctor told me I only had six minutes to live, I wouldn't brood. I'd type a little faster.'

Isaac Isamov

Wednesday, March 28, 2007

Black Hole Son




Charles Burns - Black Hole, 2005


"The thought of suicide is a powerful solace: by means of it one gets through many a bad night."

Friedrich Nietzsche

Tuesday, March 27, 2007

The Doorway Of Gradiva




Jerry N. Uelsmann (b. 1934) - Untitled, 1976


'We conceived the idea of a repository, an ageless place located anywhere outside the world of reason. In that space would be stored those manmade objects that have lost their utilitarian purpose, or have not yet found it, or have markedly deviated from it and that therefore conceal some internal secret lock. Those objects could then emerge in an elective way and continuously from the river of the ever-thickening sand that blurs adult vision, restoring to it the transparency that children enjoy. They would alternate with highly singular natural objects, primarily those whose structure corresponds to a most unfathomable necessity, those whose very appearance is enough to cast a new light on the problem of that necessity. Both categories of objects could exert a rather mysterious attraction, arouse ideas of possession, and especially help to reveal to each individual his own desire, or at least as an intercessor between that desire and its true or often unknown object.'

André Breton - Gradiva